Check out the work produced by artists in this program at women's studio workshop
"Women's Studio Workshop is a visual arts organization with specialized studios in printmaking, hand papermaking, ceramics, letterpress printing, photography, and book arts. Artists are invited to work at WSW as a part of our Fellowship Program, Artists' Books Grants, Residencies, Internships, or to learn new skills in our Summer Arts Institute and community workshop series.
Artists' Books
Women's Studio Workshop has been publishing artists' books since 1979. WSW took a leadership role in the emergence of the genre by initiating the book arts grant program over 30 years ago and today WSW IS the largest publisher of hand printed artists' books in the country."
Monday, December 28, 2009
Monday, December 14, 2009
Ashes
vivid and warm
burn the hand that attempts to hold them.
ashes and embers
starving, fade away
flames too hot to remember.
ashes and ashes
cold and tired
no spark of recollection in them.
ashes and change
dust away, deep below
one flicker remains.
ashes and scars
ignition.
handful of caution,
there is light.
-slk
Featured Artist: Ann Rea
http://www.annrea.com/collect/originals/wilderotter/framed_16_x_20_original_oil_vineyard_painting_flowers_and_vines_ii_357.asp
This link leads you to the Ann Rea website where you will find vibrant, vivid colors of natural life moving across the canvas.
This particular painting is called flowers and vines II.
These paintings were an unexpected discovery on an internet search for live/work studio space.
Visit Ann's site to see so much more of her work.
This link leads you to the Ann Rea website where you will find vibrant, vivid colors of natural life moving across the canvas.
This particular painting is called flowers and vines II.
These paintings were an unexpected discovery on an internet search for live/work studio space.
Visit Ann's site to see so much more of her work.
Tuesday, December 1, 2009
Featured Artist-Kimberly Camp
Kimberly Camp began her career as a professional artist 37 years ago with a sidewalk exhibition in Woodbury NJ at the age of 12. Since then, her paintings and dolls have been shown throughout the US in over 100 solo and group exhibitions. Her list of solo exhibitions is extensive, including the American Craft Museum, Smithsonian Institution, International Sculpture Center, University of Michigan, the Hand Workshop, Sawtooth Center for the Visual Arts, Bomani Gallery, CRT Craftery Gallery and Manchester Craftsman’s Guild. Visit her site to learn more about this gifted artist.
http://www.kimberlycamp.com/
http://www.kimberlycamp.com/
Wednesday, October 28, 2009
Still Standing Installation Complete
Make a Smilebox slideshow |
This work is dedicated with many thanks to the healing hands of Anne Galvin who cared when no one else could anymore.
Additional thanks to:
The Jones Memorial Hospital Rehabilitation Services staff for their patience and kindness when I was not myself.
ARA The Counseling Center’s Terry Smith for your time and guidance.
Dante, Crystal, and Kierra Carlton and Joseph Curcio – you inspire me to be the best me that I can be.
Paul & Cecy Curcio for everything you do for the people around you.
My family and friends - for your patience when I could no longer participate.-slk
Still Standing is a photographic documentation of the cyclic nature of the chronic pain experience. Each frame demonstrates the artist's interpretation of a season in the cycle of coping with chronic pain. The work illustrates the balance that may be found in adaptation. The circular installment and positioning of each frame displays the endless repetition of the cycle and the grace that can be found in the fleeting moments of acceptance. Each photograph was taken by the artist to record locations on the road to recovery. (These are scenes from the Greenway Snowmobile trail that runs through Belfast, NY.) The images are framed by paper sculpture which amplifies the significance of the view at each location. The paper sculpture process was used as part of the artist's personal healing process to recover fine motor skills from May to September 2009. This work is intended for display in pain management and rehabilitation clinics.
http://search.barnesandnoble.com/Inside-Chronic-Pain/Lous-Heshusius/e/9780801447969
Wednesday, October 21, 2009
new work series Facing Phases
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Wednesday, October 14, 2009
Saturday, September 26, 2009
A true master of perspective manipulation.
http://www.mcescher.com/Shopmain/ShopEU/facsilimeprints/prints.html
I have always loved the way that Escher pushes the viewer to consider the shifting nature of perception.
I have always loved the way that Escher pushes the viewer to consider the shifting nature of perception.
Tuesday, September 22, 2009
Featured Art Topic
Learn more about Partners for Arts Education http://www.arts4ed.org/
"Partners for Arts Education inspires learning and leadership for arts in education in Central New York and throughout New York State. We provide funding and support to deepen and enrich educational experiences in and through the art for students, teachers and artists."
Partners for Arts Education
501 West Fayette Street Studio 221
Syracuse NY 13204 315 234 9911
Fax 315 234 9912
"Partners for Arts Education inspires learning and leadership for arts in education in Central New York and throughout New York State. We provide funding and support to deepen and enrich educational experiences in and through the art for students, teachers and artists."
Partners for Arts Education
501 West Fayette Street Studio 221
Syracuse NY 13204 315 234 9911
Fax 315 234 9912
Friday, September 18, 2009
portfolio
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Monday, September 14, 2009
Sunday, September 13, 2009
Artist Statement at Still Standing Display
Perceptive
perspective
Is
your destination an illusion?
In
your aimless meandering are you exploring,
Or
escaping from the shelter that became your confinement?
Has
your stabilizing anchor become the albatross that holds you down?
Does
your protective mask blind you?
Have
your braces become your obstacles?
Have
your sanctified boundaries become insurmountable limitations?
Has
your desire become impotent obsession?
Do
you feel safe in the darkness or the light?
Are
you safe or STIFLED?
Has
the sweetness you once craved begun to make you nauseous?
Is
it too complacent to compete with the obstacles we all must overcome?
After
your escape and celebrated freedom,
Were
you lost?
Opposing
forces shifting, shape our world.
We
move between, around and among them.
Obstacles
fall before us and around us.
Perception
stagnates in the façade.
In
the shadow of momentum’s change
Art
is the power to influence perspective.
slk
ARTIST STATEMENT
Do not confront the simple darkness that holds us as we contemplate
the moments of the closing day and anticipate the promise of tomorrow.
Confront the suffocating ashes of disillusion and despair that deny Today.
Hope and despair exist in the same moment.
The dual nature of perspective gives me a choice.
Art gives me the power to document the balance.
It allows me to record the simultaneous existence of both.
Balance is necessary to compete against the unknown thing that feeds
on our forgotten dreams and burns the bridges to our achievements.
It is the unknown thing that forces us to exchange our hope for drudgery
as it blinds us to the grand, fleeting moments of grace that happen in an instant. Without the stability to perceive Grace, life is just motion looking for a place to rest.
This work is not about observing moments of grace.
It is about living them.
slk
Friday, September 11, 2009
Still Standing 2009
Multi-media: photography and paper sculpture.
This piece surrounds a sample of the artist's original written work. Each frame in the piece displays the artist's interpetation of the phases in the cycle of coping with chronic pain. From healthy social interaction to the agony and isolation that attaches itself to this existence the artist shows the balance that may be achieved in adaptation. The artist also acknowledges the endless repetition of the cycle and the grace that can be found in the fleeting moments of acceptance.
This piece surrounds a sample of the artist's original written work. Each frame in the piece displays the artist's interpetation of the phases in the cycle of coping with chronic pain. From healthy social interaction to the agony and isolation that attaches itself to this existence the artist shows the balance that may be achieved in adaptation. The artist also acknowledges the endless repetition of the cycle and the grace that can be found in the fleeting moments of acceptance.
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